陈晓娟副教授-华中师范大学美术学院

2016-02-14 点击：[]

		Joan Xiaojuan Chen陈晓娟 School of Fine Arts Central China Normal University华中师范大学美术学院 152 Luoyu Avenue Wuhan 湖北省武汉市珞瑜路152号 Hubei Province, China 430079 Email: chenxiaojuan@mail.ccnu.edu.cn

PERSONAL个人	Nationality: China Place of Birth: Yancheng,Jiangsu 江苏盐城

EDUCATION教育	Soochow University苏州大学, Soochow苏州, China B.A in Chinese language and literature(1999) Thesis: A Comparison between New book of Tang and Old book of Tang 新旧唐书对读比较 Southeast University东南大学, Nanjing南京, China Ph.D in Art Theory(2005) Dissertation: I-ch’ing(意境) regarded as a basic artistic criterion 意境：艺术之为艺术

HONORS荣奖	Visiting Scholarship (Jan 2014-Jan 2015) at History of Art and Archaeology Department, SOAS, University of London sponsored by China Scholarship Council(CSC) 获得国家留学基金委奖学金资助赴英国伦敦大学亚非学院艺术史与考古系交流访学一年。

INTERNATIONAL CONFERENCE 国际会议	10^th Conference of IAWIS (August 2014,Dundee University) Presentation: The Verbal-visual Appropriation in modern Chinese Art 国际图文协会第10届年会（邓迪大学）发言:现代中国艺术中的图文互借 21^ST World Congress of the International Comparative Literature Association(July 2016,Vienna University) Presentation: New Perspectives on the Paragone——A Case Study of Jiang Zhaohe’s (1904-1986) Figure Painting 世界比较文学协会第21届年会（维也纳大学）发言：诗画相争新视界——蒋兆和人物画个案研究 5^th Congress of Czech Slavists (Octobler 2016, Masaryk University, Czech Republic) Presentation: The Literariness in Wang Guowei’s Yijing Theory：A Formalist View 捷克斯拉夫研究协会第5届年会发言：王国维意境理论中的文学性 2^nd Conference on Middle Period Chinese Humanities(Leiden University, September 14-17, 2017) Presentation: The Comparison of Taoist Cunsi Illustration and Sixteen Meditations image in Dunhuang 第二屆唐至明中國人文會議（莱顿大学）发言：道经日月存思图与敦煌“十六观”图的比较

EMPLOYMENT工作经历	Fine arts School, Central China Normal University, Wuhan · Lecturer(July 1, 2005 - July 1, 2011)华中师范大学美术学院 · Associate Professor(July 1, 2011 - present)副教授中国艺术史及艺术思想方向硕士生导师 Specialized in Chinese art history and art thoughts Supervise M.Phil. students Courses教授课程： · Chinese Art History 中国美术史 · Chinese Art Texts 中国画论 · Chu Art and Chu Culture 楚艺术与楚文化 · Art Philosophy 艺术哲学 · Ming and Qing Paintings 明清绘画

PUBLICATIONS科研成果

Articles(selected):

- How to Read Hsieh Ho’s Six Principles of Painting,绘画“六法”新句读考释 Art Research美术研究,2003(3)

-Approaching Contemporary Transition of Traditional Critical Term with a Comparison between “I-ch’ing” and “I-pai” 从“意境”与“意派”的比较看传统批评话语的当代转型, Journal of Nanjing Art Institute(Art & Design) 南京艺术学院学报（美术与设计版）, 2010(4)

-On “Hui Shi Hou Su”“绘事后素”辨义, Journal of Beijing Institute of Technology(Social Sciences Edition) 北京理工大学学报（社会科学版）,2011(4)

-Cross-cultural Image Appropriation in Luo Pin’s Ghost Painting从罗聘《鬼趣图》看异文化的图像挪用, Literature & Art Studies文艺研究,2013(3)

- A Summary of the contemporary art in Hubei Province since 1985’ New Wave Movement 85’新潮以来的湖北当代艺术综述, Academic Fine Arts学院美术, 2014(3)

New Designations in Contemporary Chinese Art 新语词与当代艺术史的形状, Ethnic Art Studies民族艺术研究.2016(4)

Books:

-I-Ch’ing as a Meta-aesthetic Judgement作为“元审美判断”的意境（专著）, Central China Normal University Publishing House,2009(monograph) 华中师范大学出版社2009

-Folk Art and Creative Culture Industry民间美术与文化创意产业, Central China Normal University Publishing House,2012(Co-authored)华中师范大学出版社2012（合著）

- The Restruction of I-Ch’ing in contemporary Chinese Art中国当代艺术的意境重构(monograph) (华中师范大学出版社2016)

-Art Thoughts in 20^th Century China 20世纪中国艺术思想(monograph) (上海科技文献出版社2017)

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